• Pamela A Hansen and Kristi Reed.
• Department of Physical Medicine and Rehabilitation, University of Utah, 768 E 4th Avenue, Salt Lake City, UT 84103, USA. Pamela.Hansen@hsc.utah.edu
• Phys Med Rehabil Clin N Am. 2006 Nov 1; 17 (4): 789-801.

AbstractIn this chapter we touched on a wide variety of unique musculoskeletal conditions in the musician and dancer. We outlined generalized methods of evaluation that stress the importance of the interdisciplinary approach in this highly specialized patient population and stressed the importance of specific involvement of the music or dance instructor in evaluation and management. We sought to emphasize the need to refer to specialized care early when in doubt of diagnosis or when usual first-line treatments fail. We gave examples of specific injury patterns common in these subgroups and suggestions for early management. Finally, we described some general principals for prevention of musculoskeletal injury in this group. A physician treating the performing artist must always keep in mind that in this unique patient population, their occupation is not only a means of earning a living, it is their passion. Artists make great sacrifice both physically and mentally to bring the world such immeasurable beauty. It is our responsibility to care for them in the most comprehensive and compassionate manner possible while informing them as honestly as possible about their treatment options.

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