• Proc. Natl. Acad. Sci. U.S.A. · Oct 2018

    Distinct facial expressions represent pain and pleasure across cultures.

    • Chaona Chen, Carlos Crivelli, Garrod Oliver G B OGB Institute of Neuroscience and Psychology, College of Medical, Veterinary and Life Sciences, University of Glasgow, Glasgow G12 8QB Scotland, United , Philippe G Schyns, José-Miguel Fernández-Dols, and Rachael E Jack.
    • School of Psychology, College of Science and Engineering, University of Glasgow, Glasgow G12 8QB Scotland, United Kingdom.
    • Proc. Natl. Acad. Sci. U.S.A. 2018 Oct 23; 115 (43): E10013-E10021.

    AbstractReal-world studies show that the facial expressions produced during pain and orgasm-two different and intense affective experiences-are virtually indistinguishable. However, this finding is counterintuitive, because facial expressions are widely considered to be a powerful tool for social interaction. Consequently, debate continues as to whether the facial expressions of these extreme positive and negative affective states serve a communicative function. Here, we address this debate from a novel angle by modeling the mental representations of dynamic facial expressions of pain and orgasm in 40 observers in each of two cultures (Western, East Asian) using a data-driven method. Using a complementary approach of machine learning, an information-theoretic analysis, and a human perceptual discrimination task, we show that mental representations of pain and orgasm are physically and perceptually distinct in each culture. Cross-cultural comparisons also revealed that pain is represented by similar face movements across cultures, whereas orgasm showed distinct cultural accents. Together, our data show that mental representations of the facial expressions of pain and orgasm are distinct, which questions their nondiagnosticity and instead suggests they could be used for communicative purposes. Our results also highlight the potential role of cultural and perceptual factors in shaping the mental representation of these facial expressions. We discuss new research directions to further explore their relationship to the production of facial expressions.Copyright © 2018 the Author(s). Published by PNAS.

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